Updated weakly.

John P. has a PATREON. / King-Cat 79 is OUT.



Thursday, April 19, 2012

POST OFFICE

Capitol Hill Station, Denver, CO

As a zine person I'm someone who spends an inordinate amount of time in Post Offices.  I love the Post Office.  People complain about it, but the fact that I can send something around the world for a few bucks has always been amazing to me.

In case you're not aware of it, the US Post Office is under fire.  There are people in this country (Republicans and their Corporate Overlords) that hate the fact that some people value things more than money.  They would love to destroy the Post Office for that reason.

You hear in the news every year or so about how deep in debt the Post Office is, how the price of a first class stamp is going up again, how Saturday delivery might be suspended and on and on.  But do you know WHY this happening?

I suggest you watch this video of progressive talk show host Ed Schultz explaining in simple terms what's been going on.

As a person in the world of small press comics and zines, if the Post Office goes out of business, I go out of business.  And there are plenty of small businesses around the country that are in the same boat.  Not to mention the postal workers and their families that will be affected by the heartlessness of the Republican agenda.

Paris cartoonist Laurent Lolmede holds up the King-Cat I mailed to him from the South Beloit Post Office.

* * *

Meanwhile, here's a brief trip down memory lane, about all the Post Office Boxes I've had:

PO Box 403, DeKalb, IL; 1992
After using my parents' house in Hoffman Estates as my de facto zine mailing address for years, I finally broke down and got my own PO Box in DeKalb.  I think there were only one or two issues of King-Cat that included this address in the indicia, because shortly after securing the box I decided to move to Denver.  Coincidentally, when one of my best friends, Al Stark, got a DeKalb PO Box about a decade later, he was also assigned #403.  So it's easy for me to remember his address when I send him a letter.

PO Box 18510, Denver, CO; 1992-1998
My original box at the funky and groovy Capitol Hill Post Office on Marion Street in Denver was a nearly daily stop for me in the six years I lived in Denver originally.  I'd load my backpack with outgoing orders and trade them for new mail when I got there.  I remember many sunny Denver afternoons walking slowly back down Marion Street to 8th Ave reading letters I'd received.

Seeing the same clerks every day, you get to know them a bit.  It becomes part of your day, part of your connection to the neighborhood, to the city.  When I was sick in 1997 I needed someone not related to me to witness my Do Not Resuscitate form, and it was counter clerk Tim at the Capitol Hill PO who signed it for me.

PO Box 95826, Hoffman Estates, IL; 1998
After my surgery in '97, Kera and I moved back to Chicagoland to be closer to our families.  My dad rented me this PO Box in anticipation of our arrival.  My memories of this PO are mostly stopping in at night, after the counter had closed, to pull mail from my box (I worked the late shift).  I remember the warm summer nights, the parking lot lights, the humidity in the air, and how good it felt to be back home.

PO Box 881, Elgin, IL; 1998-2002
After moving to Elgin in the summer of '98 I got this box at the downtown PO.  It became part of my crucial Saturday routine:  Walking down to the library to check out books, over to the PO to get my week's worth of mail and send same, and then over to the thrift store on South Grove to buy old New Yorkers for a dime.  I still remember the clerk who told me that Engelbert Humperdinck was the singer's real name.

PO Box 300637, Denver, CO; 2002-2003
This was the box I had for the one weird year I lived back in Denver in '02-'03.  I lived on Marion Street two blocks south of the PO and there were many afternoons of dragging my Rolly Cart through snow, slush or simply over Denver's raggedy sandstone sidewalks.  Always rushing to make it there before they locked the doors on Saturday at 12:30.

PO Box 170535, San Francisco, CA; 2003-2006
After a year in Denver we moved to San Francisco so Misun could finish acupuncture school.  My PO Box was at the Clayton Street Station, right off Haight Street.  Waiting in the enormous lines, sidestepping crusties and their pitbulls on my way there, seeing the same people in line everyday:  the guy who sold books over eBay, the Amoeba employees with their carts of mailorder...

PO Box 18888, Denver, CO; 2006-2010
And back to Denver.  I got another Capitol Hill PO Box, though we ended up living in the West Highlands our first year and a half back.  After that we lived at First and Broadway, so it was still a trek--  I'd drive my $600 1993 Subaru up there on Saturday mornings.  You'll notice the preponderance of "8"s in my PO Box numbers.  That's because ever since I was a kid I've had a hard time writing 8's.  The universe has made sure I've had plenty of practice, though I can't say I've gotten any better at it.

PO Box 142, South Beloit, IL; 2010-present
After my life imploded in 2010, I ended up in the sunny little burg of South Beloit, IL, the "Sand Capital of the World."  There are few anchors to my life here, but the friendly clerks at the Post Office are one of them.  I kind of feel bad on the rare day when I don't stop in.

* * *

If you frequent the Post Office, please be sure to let the employees know how much you value their work.  And write your congressperson and let them know the US Post Office is there for a reason:  because in a civilized society government should play a role in making its citizens' lives better.  It's the American Way.

Friday, April 13, 2012

WEEKEND WARRIOR


Hey all,

I'll be in a different town each weekend for the next month, hustlin' comics, so if you're in Chicago, Columbus, Urbana, or Toronto, why not come on out and say hi?

April 15: C2E2, Chicago IL
Tabling with good ol' Joey Chips! (Booth 419, I'll be there Sunday only, 10 AM - 5 PM)

April 21-22: SPACE, Columbus OH
Two full tables of awesome Spit and a Half merchandise

April 28: Midwest Zine Fest, Urbana IL
Ditto

May 5-6: TCAF, Toronto ON
Tabling with Zak Sally and Noah Van Sciver

BE THERE OR BE... SQUARE

Thursday, March 29, 2012

PHYSICAL EVIDENCE EVIDENCE


So last weekend I had a couple events in Chicago with my old pal Zak "Sammy the Mouse" Sally, and my new pal Dale "TOOTH" Flattum.  We did a reading at Quimby's in honor of Zak's hot-off-the-presses Sammy the Mouse Volume One, which collects the three Fantagraphics releases in one handy book.  One handy, completely self-printed book.  Yes Zak not only self-published this one on his trusty La Mano imprint, but he actually ran the press it was printed on.  Pretty amazing, and it looks great!


The Quimby's signing was a lotta fun.  It's always a good time to be there, experiencing the magic that is QUIMBY'S.

Afterwards Zak and I got cranky and walked around Wicker Park looking for something suitable to eat.  I wish I had pictures, but I forgot my camera.

Dale's silkscreened exhibition poster


Zak and John discuss those ceramic tiles that line the wall of the Charles Schulz Museum.

The next morning we headed over to Rational Park, a design and exhibition space a little bit farther west on North Avenue, and set up for our three-person show, PHYSICAL EVIDENCE.  For the show Zak hung every one of the 96 pages he drew for Sammy the Mouse so far, along with some beautiful inky poster originals.  Dale put up a bunch of his detourned xerographic screenprints and displayed his "Fluxus" boxes, handmade wooden boxes containing small repros of many of his works, a la Duchamp's Green Boxes.  Also on display were his handmade Brillo Boxes...  A box in every pot, a chicken in every garage!

Zak's wall.

TOOTH wall in progress.

I showed a variety of prints, drawings, photographs and original King-Cat pages.  I don't usually show my work on walls.  I generally like to hand it to people in zine form.  But it was nice to put up all our work together, and to be showing with these artists whom I admire.


John P.'s wall.

I wasn't sure anyone would actually show up, but show up they did.  Some old friends of mine made surprise appearances, and a bunch of Chicago Cartoonists were in attendance, stalwarts and whippersnappers alike.


Dale examines the proof of Zak's insanity.
(Photo by Johnathan Crawford)

Show organizer Grace Tran (left).
(Photo by Johnathan Crawford)
 
(Photo by Johnathan Crawford)


(Photo by Johnathan Crawford)


(Photo by Johnathan Crawford)


(Photo by Johnathan Crawford)


Afterwards we thought it would be a good idea to eat Chili at midnight.  Oops!


Sunday Morning Hobo Camp.
(Photo by Amy Jo)

Zak, on the way back to Minneapolis.
(Photo by whoever wasn't driving, I hope...)

(Photos by Stephanie Dorman, except where indicated)

Thanks to: Grace, Zak, Dale, Amy Jo; Stephanie; Johnathan; Quimby's; Rational Park; all who came out, and all at Johalla Projects.

Thursday, March 22, 2012

CHICAGO EVENTS THIS WEEKEND

Hey everyone, two whoppin' big events in Chicago this weekend--


Friday March 23, 7 PM

Zak Sally's SAMMY THE MOUSE VOL. ONE Release Party
with Special Guests™ Dale "Tooth" Flattum and John "Lizzardo the Living Lizard" Porcellino. 

Quimby's Queer Store
1854 W. North Avenue
(773) 342-0910


* * *


Saturday March 24, 7-11 PM

Physical Evidence: The Artwork of Zak Sally, John Porcellino & Dale Flattum

A collaboration between Johalla Projects and Rational Park, PHYSICAL EVIDENCE is a group show celebrating the sustainability of DIY practices. The show, presented salon-style, will give viewers a chance to see the scope of the original works of art.

Hand-assembled and/or printed zines, comic books, gig posters and screen-printed sculptures by Sally, Porcellino and Flattum will be available for viewers to purchase. They are physical objects, hand-made and hand-distributed, reminders of the artistic means accessible to individuals with a desire to do it themselves.

Rational Park
2557 W. North Avenue

Facebook event page

BE THERE OR BE SQUARE

Friday, March 2, 2012

MARCH 2012 TOUR DATES



Hittin' the road again, folks.  Stops in Gainesville, Chapel Hill, Durham, Baltimore, and Chicago--  dates below!

* * *

March 5-9, 2012: SAW Workshop, Gainesville FL
5 Day Comix Workshop with John Porcellino

March 9-10: CHICAGO ZINE FEST
(Spit and a Half table will be manned by Jake Austen of Roctober Magazine)

March 14: Chapel Hill Comics, NC
John P. slide show, booksigning, and Q+A; 5-7 PM

March 15: Duke University, Durham NC
John Porcellino lecture: Perkins Library, Rare Book Room; 7 PM

March 16: Atomic Books, Baltimore MD
Slide show and Q+A, with John Porcellino and Dina Kelberman; 7PM

March 23: Quimby's Books, Chicago IL
Sammy the Mouse Vol. 1 release party with Zak Sally, John Porcellino, and Dale Flattum

March 24: Rational Park, Chicago IL
One-Day Exhibition: "Physical Evidence," a three-person show of comics, printmaking, zines and more featuring Dale Flattum, John Porcellino, and Zak Sally

* * *

More in April:  Chicago, Columbus, Urbana


Friday, February 24, 2012

(Some of my) FAVORITE COMICS OF 2011

Again, I feel like I spent much of 2011 working on my own projects and/or traveling around North America, and my reading seems to have suffered.  Hopefully that will rectify itself this year.  Meanwhile, here's a short list of some of the comics I read in 2011 that stood out for me.

* * *
In no particular order:

Streakers by Nick Maandag (Mean Dog Comics)

Maandag's brilliantly ridiculous look at a motley band of streaking enthusiasts is played for deadpan laughs and subtle weirdness.  From their shitty jobs, to the perfectly sad and predictable way they deal with a couple of young females who show interest in their "club," Maandag paints a spot-on picture of loneliness, self-delusion, and nerd-world pecking orders.


Brut de Carnet by Laurent Lolmède (United Dead Artists)

Lovingly crafted in full color, Lolmède's impressionistic and rubbery sketchbook drawings depict street scenes, politics, family life, and everything else in all their glorious imperfection.  Published on Stephane Blanquet's new United Dead Artists line, I'm so glad this book exists.


Gaylord Phoenix by Edie Fake (Secret Acres)

Originally serialized in zine form, Fake's complete Gaylord Phoenix is one of those books that, as you read, you begin to realize the amazing feat that's unfolding before your eyes:  You can sense the growing perfection of the thing.  As the story develops, and the end approaches, you're practically cheering him on: "You can do it!"  You want so bad for all the threads to come together, for all the promise of the earlier pages to be fulfilled...  And you turn the page.  And it succeeds.  This is one of the most emotionally satisfying comics I've ever read.  It works.



The Wolf by Tom Neely (I Will Destroy You!)

Neely's weird, dark, outsider comics come to full bloom here, in this wild and gorgeous "painted novel." The Wolf tells the highly personal story of two lovers in all its grim, frightening, and erotic glory.  Absolutely unlike any other comic out there, the dangers, horrors, and passion of sexual love and self-loathing are intimately explored here in full color.


Even the Giants by Jesse Jacobs (Adhouse Books)

This brilliant debut is a series of interconnecting arctic stories featuring an eskimo, an ice-locked cargo ship, and a pair of gigantic, god-like monkey/yeti creatures, interspersed with wickedly funny stories of everyday modern-life:  landlords, bad roommates, and more.  Then there's the recurring pair of dudes wandering through a menacing, psychedelic otherworld, all with the underlying theme of nature's brutality and our search for warmth within it.  The artwork is mesmerizing, and the writing is understated when necessary, dryly bitter as needed, and impeccably pitched.


The Body of Work by Kevin Huizenga (USS Catastrophe)

This little comic zine collects a few random, recent stories including the remarkable "Postcard From Fielder" Parts One and Two, quietly brilliant depictions of the everyday, with all the ramifications of mortality and beauty that you've come to expect from Kevin, but perfectly, exquisitely rendered.  Plus a few more experimental pieces.  I love Kevin's comics, and have for some time, but "Postcards from Fielder" may be the best work he's ever done.


Spotting Deer by Michael DeForge (Koyama Press)

All of DeForge's recent comics are highly recommended, but this one, a gorgeous, self-sustained natural history of an imaginary animal, the Spotting Deer, is absolutely perfect in its cohesion.  Beautifully drawn, lovingly colored, funny, weird, and sad, all in one.



Forgotten Fantasy (Sunday Press)

I had flipped through some of Sunday Press's previous giant-sized hardbound classic comics collections (they're printed at the original tabloid size of the newspapers where they were first published), and even dropped the big bucks for their Gasoline Alley collection (one of my favorite comics ever), but it wasn't till I sat down with this edition that I really got what all the fuss is about.  For the first time, I could imagine being a kid at the time, settling down on the floor with these immense sheets of artistic brillance and mystery spread before me.  It must have been awe-inspiring.  These fantasy comics make full use of the resources available to cartoonists of the time-- giant, mesmerizing worlds unfold before your eyes with each turn of the page.  Mind-blowing.


Night Animals by Brecht Evens (Top Shelf)

This beautiful, perfectly crafted pamphlet presents two luciously drawn, full color comics.  In the first, a man in a bunny suit searches for love high and low;  in the second, a young girl enters womanhood in a brillant story that segues seamlessly from the mundane to the cosmic.  Engagingly drawn, with humor and plenty of darkness, I could sit and look at this book all day.  Plus:  the price is right.


Fantastic Four Omnibus Vol. 2 by Jack Kirby and Stan Lee (Marvel)

It was about three or four years back that I got into superhero comics-- by which I mean the classic superhero stuff of the 40s through 60s, and in particular the work of Mr. Jack Kirby.  Superheroes get a bad rap, because they're awful.  But these classic comics should not be dismissed.  The Fantastic Four comics, the comics that begat the "Silver Age," stretched the boundaries of what superheroes were all about, but in this particular collection, which features the justifiably lauded "Galactus Trilogy," you get the sense that Kirby and co-writer Stan Lee were actually blowing their own minds while producing it.  You can practically feel the ground breaking under their feet as they explore their new world with a passion and grand vision previously unknown to comics.


Tel-Tales #1 by Dan Zettwoch (USS Catastrophe)

I always use this particular comic as an example of why I'm not too worried about comics going digital.  Tel-Tales is a story from Dan's dad's youth, working at the phone company in Louisville, KY, back when lines were still largely hand-managed.  In it, he presents a brief vignette about the threat that growing technology poses to the hard-won skills the workers had developed over the years.  A great story for our age, right?  But then Zettwoch puts it all together in a small, hand-wrought package, featuring silk-screened vintage punch cards as covers, plus an intricate fold-out centerfold...  in other words, a package that is impossible to duplicate on a screen.  You absolutely have to hold it in your hands to truly appreciate it.  Viva le rock.


Wednesday, February 8, 2012

2012

Hey everyone, here's my first comic of the new year. It'll appear in all its newsprint and smeared-ink glory in the upcoming Roctober 50th issue extravaganza. And probably in King-Cat 73 as well, which I hope to have out by the end of summer.

Click to enlarge

So what else is going on? Well, I have some plans for 2012, let's see what happens. I really hope to get back onto a two issue a year schedule for King-Cat. The last bunch of years have been so confusing and unpredictable for me that it was hard to do. But things are settling in here and hopefully I can get it done. I have plenty of stories, just not a lot of focus.

On the tour front, I'll be heading to the Southeast again in a month or so-- for a 5-day workshop I'm running with Tom Hart at the new Sequential Artist's Workshop in Gainesville. (There's still one slot open, so if you're interested contact the school ASAP!)

After Gainesville, I'll head up the coast with stops at SCAD, Duke University, Chapel Hill Comics, and Atomic Books in Baltimore. Dates here.

Convention-wise, I know for sure I'll be at SPACE (Columbus), TCAF (Toronto), CAKE (Chicago), and SPX. Probably a bunch of regional shows too (Madison, Milwaukee, Minneapolis etc). I'll be in Gainesville during the CHICAGO ZINE FEST (sigh), but Jake of Roctober will be manning a stripped down Spit and a Half table for me there.

Speaking of Spit and a Half: In the nineties when I was running the distro, my plan was to start publishing other people's books as well. I began with comix-zines from Jenny Zervakis, Tom Hart, and Jeff Zenick, but health issues prevented me from moving forward on that front. Well, I have slow, tentative plans to begin publishing again, beginning with a new international comics anthology called POSSUM, out sometime this year. Check back for details. And other ideas which shall remain unannounced at this point.

Meanwhile, I'll continue work on THE HOSPITAL SUITE, my all-new collection of comics for D+Q. It'll include three medium-length stories, The Hospital Suite, 1998, and True Anxiety, documenting my health issues of the past 15 years. A barrel of laughs, for sure! (Actually, it won't be all doom and gloom, I promise!) Perhaps this book will be published in 2013?

OK. That's plenty. Best of luck to everyone in 2012. Let's hope the world doesn't end.

LOVE,
John P.