A BOX

The other day I went on a quest to locate some old artwork for a show coming up in Sheboygan this November--  I was looking for the oversized original pages for "Suburban Dreams" from King-Cat #59.  I found them in a large flat box that had all sorts of other cool stuff in it that I hadn't seen in a decade, if not more...  Most of these date from the late-Elgin period of 2000-2002, but some are earlier.  I thought I'd post some of it here.

Spread from "Suburban Dreams."  I usually draw at 100%, but this is one of the few cases where I drew oversized (each page is 11.75" x 18").  I drew it in black colored pencil, and had to use the blueprint machine at Kinko's to reduce to King-Cat size.

Julie Doucet silkscreen, printed on the stock pages of the Globe and Mail.

Another Julie Doucet poster.

"Listen Close," my 9/11 comic, reformatted to fit the pages of Chicago's New City newspaper for their annual comics issue.

Another oversized comic that I'd completely forgotten I'd drawn.  Never published.

Original drawing for Comics Journal #241 cover, 2002.

Hand-colored photocopy mosaic of 1923 USGS topographical maps from the Elgin area.

My comic for TCJ's Cartoonists on Music Special.  I guess I was really into drawing oversize at this point!

Photocopy of artwork for cover of Denver's Hooligan magazine, 1994.

Oil pastel drawing of one of the saddest moments of my life, late 80's.

Charcoal drawing of Marshmallow and the Old Man, before she became my cat, 1989. 18" x 24".

Pre-King-Cat comic drawn after discovering Julie D.'s comics, never published.  18" x 24" 

Charcoal and acrylic study for a painting, probably 1987 or 88.

Original art for Newshole #4 cover, ink on photocopy, 1992.

 Non 5 promotional poster by Brian Ralph

Original pages from early King-Cats that were included in a show at Angouleme, 2002.

More Angouleme pages (with Maisie hairs).

18" x 24" painting with collage on paper, circa 1988?  You can see how the charcoal from the Marshmallow drawing (above) transferred to the paint, as they were stored facing each other.

Acrylic on paper study for "Belmont Harbor" (painting, 1988?)

Page from Seattle's The Stranger, 1995, with me and Archer Prewitt.

Baltimore City Paper, 1993.

Wraparound cover for Cake magazine, by Mr. Mike.

Old Virgo Snakes flyer.

Poster for one of the Felt Pilotes' last shows, 1995.

Promo poster for Flywheel's Dirty on the Shovel CD, 1996.

(Artwork by David Nichols)

Promo poster for the Virgo Snakes CD, 1996.

Original art for Virgo Snakes poster.  It's called "paste-up," kids!

FAREWELL, SOUTH BELOIT

Ye Olde Homestead

November 20, 2010 - February 6, 2013

On November, 20, 2010, in a desperate fugue of approaching homelessness, I signed a six-month lease on a small apartment in the little town of South Beloit, Illinois.  The landlord seemed like a nice guy, laid back, and he didn't make me fill out an application, run a credit check, or put me through the ringer.  He asked me what I did for a living, and I told him I was a writer, because that sounds more distinguished and safe than "cartoonist" or heaven-forbid "artist."  He looked at me askance and asked if I'd be able to pay the rent.  I said yes.  He replied, "If you get me $400, you can move in right now."  I borrowed some money from my mom, and moved my stuff in.

The first several months were grim.  November through January in North Central Illinois can be grim no matter what, but I was also coming off of a divorce, and following that, a heartbreaking love-affair that had seen me uproot myself from Denver, my home-sweet-home-away-from-home, bankrupting myself in the process.  I was not in, shall we say, the best mental state.  I was, shall we say, bitter about women, love, and life in general.

South Beloit is a pretty downbeat town.  There's not a lot of cushiony feeling there.  I remember that winter actually thinking, "This is where I belong."  When my friend Dan came to visit me, he said "Not only are you living in the most depressing town I've ever seen, but you're living in the most depressing building in that town."

I figured I would do my six months time, save some money, and then figure out my next step.

Eventually, I kind of, sort of, liked my weird old grey cinderblock place.  It looked like maybe once in the past it was a neighborhood grocery, or a mechanic's shop or something.  It was just down the street from where Fair Oaks ended at the train tracks, and a small dirt path wound into the woods towards the river.  I used to sneak in there all the time to look for aluminum cans, or simply to gaze at the river flowing past, slowly onwards to the Mississippi.

I became obsessed with the big island just west of my apartment.  Looking at an old USGS map online, I saw that it had a name: Boney Island.  That was the first thing I really liked about South Beloit, that there was an island there named Boney Island.  I also liked the old railroad bridge where the Union Pacific spur line rolled over Lathrop Terrace.  One day, on a warmish morning in early spring, I stopped to watch the South Beloit High School baseball team play Clinton (Wisc.) at the ballfield across from the Post Office.  (They won.)  For a second on that warm day I started to think, "Maybe it's not so bad here.  Maybe I could stay..."  Something had clicked.

On April 11, 2011, I met a girl named Stephanie, up in Beloit, Wisconsin, and we started dating.  The six months came and went.  We spent that first summer walking in the woods and fields around town.  I taught her the names of the prairie plants, and she took pictures for me with her new camera.  We'd take her dog Sherman for strolls in the evening and it felt quite domestic.  It felt good.

Even though Stephanie had a nice old house in Beloit, where we spent much of our time, I kept my little apartment in South Beloit.  Although the heat in it stunk, the water only worked intermittently, and the ceiling leaked on occasion (in a minor way), it was good to have a place to go, to work, to store all my distro stuff, and I liked being in Illinois.  Also, frankly, I was gun shy.  I didn't want to risk our relationship ending suddenly, leaving me with no place to go.

On January 29, 2013, I went down to my apartment to get to work.  I'd been on a roll, getting lots of artwork done, and busting some real progress on my new book.  I walked into the bathroom and saw water on the floor.  Looking up, there was an enormous blister in the ceiling, dripping water.  I threw a bucket under it and checked elsewhere.  A hole had burst through the kitchen ceiling as well, and in the back room, where I kept all my distro stuff, a new crack was dripping, and increasingly so.  Amazingly, even though nearly everything I own is made of paper, nothing was damaged.  I started packing my boxes immediately.

By that night the rain had turned to snow, and it snowed every day from then on, for the next ten days, as I drove carload after carload of comics and artwork up to Stephanie's place.  One night, driving up Route 2 towards Wisconsin, I almost got teary eyed, thinking of leaving good ol' South Beloit.  And I wondered why.  Partly, I felt like a traitor, leaving my home state, even though I was only crossing the line about half a mile.  And partly, I knew I would miss South Beloit's lonely desolation, the empty sounds of trucks rushing past at night.  And partly, because I knew another phase of my life was ending, and a new one beginning.  And I'm a lonely old sentimental fool, and the passing of time is the saddest and eeriest thing in the world.

* * *

PS: I'm keeping my South Beloit PO Box, so please continue sending mail there!